
What is tucked away in small London museums is amazing. On your first visits to London, you will visit the V&A, the National Gallery, and perhaps the National Portrait Gallery. But, on your second visit, please make your way to the WALLACE COLLECT on Manchester Square. IT IS MY FAVORITE FINE ARTS MUSEUM–Amazing collection! Take the tube to Oxford Circus and walk up Regent Street for a couple of blocks and turn left; you will reach Manchester Square. On the north side of the Square sits HERTFORD HOUSE. The house was built in the 1776 for the 4th Duke of Manchester. It was later remodeled to house Richard Wallace’s collection. The gatherine of one of the world’s finest collections of 18th century French art was the lifework of the 4th Marquess of Hertford (1800-1870) who lived most of his life in Paris at his chateau BAGATELLE in the Bois de Bologne. He transformed the family art collection started by his great grandfather in the 18th century, increased by the 2nd Marquess (Romney and Reynolds) and enlarged further by the 3rd Marquess who purchased 17th century Dutch paintings, 18th century French porcelain and Sevre porcelain. The 4th Marquess brought the collection from Paris to London. It was his widow who left it to the nation in 1900.
The important PAINTINGS in the collection are Boucher’s MADAME DE POMPADOUR, Canaletto’s VENICE, Clouet’s MARY QUEEN OF SCOTS, Fragonard’s THE SWING, Gainsborough’s MRS. ROBINSON, Guardi’s VENICE, Hals’ LAUGHING CAVALIER, Hoppner’s GEORGE IV AS PRINCE OF WALES, Lawrence’s GEORGE IV, Rembrandt’s TITUS, Rembrandt’s SELF PORTRAIT, Reynolds’ TWO CHILDRENS PORTRAIT, Ruben’s ISABELLA BRANDT, Titian’s PERSEUS AND ANDROMEDA, and Watteau’s THE PASTORALS. How’s that for a list to see? Fabulous.

The FURNITURE is unique: Boulle – Wardrobe, cabinet, pedestal clock, and other fine pieces. Cressent – Chest of drawers, writing desk, and gilt clock case. Riesener 3 drop front secretaries all made for Marie-Antoinette, two chests of drawers, Comte d’Orsay’s roll top desk with marquetry work, and a pair of gilt corner cupboards made for Marie-Antoinette and the famous mahogany cylinder top desk.
THE GOLD BOXES are exquisite. In galleries 12 and 26 there are principally French 18th century gold boxes–a total of 89 boxes, can you believe. They are in multicolored gold, hardstone, mounted with Sevres porcelain,jeweled, painted, incorporating tortoiseshell, oriental lacquer, miniatures, square, oblong, oval, round, with oblique corners, shell-shaped. You stand in front of these amazing items, and you can hardly believe how beautiful they are and wonder what kind of world appreciated such magnificent miniature items. A very special moment.
THE SEVRES PORCELAIN COLLECTION is unmatched. Exquisite pieces of porcelain mainly from the Bourbon reigns of Louis XV and Louis XVI are absolutely out of this world. Madame de Pompadour joined Louis XV to develop the Royal Sevres Porcelain Works. The quality of these decorative items was unparalleled by any other 18th century factory. These pieces were highly sought after and filled the royal palaces in both England and in France. After the French Revolution, the French Royal Family’s superb collection was sold. The greatest collectors for these objects were King George IV and the 4th Marquess of Hertford. Since both individuals were English, many of the Frech royal pieces of porcelain ended up in Buckingham Palace, Windsor, and in the Wallace Collection.
Scholars approach history very differently. Some study historical documents and texts while others study the literature of a particular era. Some historians approach the study of a particular period by the decorative arts–items people liked to surround themselves with. For me, the WALLACE COLLECTION is history in a most magnificent visual experience. I often stand in front of a particular item and just wonder about the age it was made, who made it, where it was intended to go, what does it tell us about the person who purchased it, and where was it intended to go. History becomes very real this way. And the eyes begin to learn to detect items of great beauty and quality. Out go the plastic flowers and swag lamps!
I find that young people grow to love these objects, perhaps bit by bit. Great collectors started somewhere. I used to take my older daughters to see the items in the Wallace Collection. I later took my two sons. I am beginning to see these experiences having effect on them as they start to gather for their own homes. Education and refinement are gradual processes. Don’t give up; start them with an hour–if that is all you dare try–in the Wallace Collection. They will see reproductions of the paintings all the rest of their lives. The gold boxes will make them curious. I don’t know what they will think about all the exquisite pink, lavender, yellow, and gros bleu of the Sevres, but give it a try. You will be doing your parental job. It will pay great dividends. It will affect the quality of a youngster’s life. I believe this.
This museum is a haven for me, and I would like to share it with you. Let me know about your visits here. I am anxious to hear.
Thomas Moore
http://www.londonconnection.com
