July 20, 2011

CROSSNESS PUMPING STATION: A “must-see” visit — I am very excited about this visit; The Pumping Station is on my August schedule!

Filed under: Small Museums,Technology,The Victoria and Albert — tmooresr @ 12:44 pm

The CROSSNESS PUMPING STATION, a sewage pumping station, was constructed between 1859-1865 as part of the London sewage system.  Prince Albert was instrumental in the design and initial construction before his early death.  The pumping station is located at Crossness, southeast London, at the eastern end of the Southern Outfall Sewer.  The sewage was pumped up into a 27 million gallon reservoir and was released into the Thames at high tide.  Yikes!

The Station contains 4 original pumping engines which are thought to be the largest remaining beam engines in the world.  The engines are named PRINCE ALBERT, VICTORIA, ALBERT EDWARD, and ALEXANDRA.  Obviously, this great invention was very supported by the Prince Consort who was involved in numerous scientific experiments.  The multi-talented Prince Consort was on the cutting edge of the Industrial Revolution of the early 19th century.

The PRINCE CONSORT pumping engine was returned to steam in 2003 and now runs on Trust Open Days.

The Pumping Station was officially opened by Edward, Prince of Wales in April 1865, after the Prince Consort’s unfortunate early death.

The building features SPECTACULAR ORNAMENTAL CAST IRONWORK- a masterpiece of engineering, a Victorian Cathedral of ironwork.  

To see the PRINCE CONSORT PUMP is a must, but to enjoy the magnificent Victorian ironwork is a unique experience.  This is on my itinerary for my August visit.  I am eager for this visit.  Come join me.  Very interesting.  Enjoy these images of the fabulous ironwork:

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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June 12, 2011

TROOPING THE COLOUR Posters available at the Transportation Museum

Filed under: Small Museums — tmooresr @ 8:49 pm

I have written several articles about the London Transportation Museum right in the center of Covent Garden.  Jubilee Market where I am found every Monday morning is just next door to the Transportation Museum.  I was President of the Union Station’s Museum and was involved in the historic building’s complete restoration over a ten-year period;  it was one of the great projects of my fun life.  When I hear TRANSPORTATION MUSEUM, my heart starts to beat faster and faster.  I have been in London’s outstanding TRANSPORTATION MUSEUM several times, but I wanted to comment that while you are in the Market at Covent Garden, step into the museum’s gift shop where you will find some really wonderful reproductions of vintage TROOPING THE COLOUR posters.  The posters are really interesting.  Have a couple as souvenirs after your visit to the London Transportation Museum.  They have a great website.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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May 29, 2011

SOMERSET HOUSE – THE COURTAULD GALLERY – SIR WILLIAM CHAMBERS

Filed under: Architecture,Small Museums — tmooresr @ 11:53 pm

The Courtauld Gallery is in a wing of architect Sir William Chambers’ 18th century Somerset House.  We all go to the Courtauld Gallery to see the marvelous collection of fine paintings–from works dating from the Middle Ages to the modern age.  But one of the great treats for attending the Gallery is the building itself.  And, one of the great bonuses of the Courtauld Gallery wing of Somerset House is the architectural details of Sir William Chambers.  These details are absolutely beautiful and date from the 18th century.  When you are at the Courtauld Gallery at Somerset House, don’t forget to enjoy the decorative details.  They are beautiful.  Thank you, Sir William Chambers.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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THE COURTAULD GALLERY: EDOUARD MANET’S “A Bar at the Folies-Bergere”

Filed under: Art and Sculpture,Small Museums — tmooresr @ 1:56 pm

Stephanie, June, and I are leaving for Paris in the morning.  We will return to London on 3 June, and we are very excited about the Paris galleries to see some of our old friends–the paintings we have known for many years.  I lived in Paris for 3 years, so I know the city very well;  I am in love with London, but I do enjoy Paris.  But I adore French painting–every period of it.

So, I decided that we had to visit the CourtAuld Gallery at Somerset House this morning to get warmed up to fine French paintings.  Somerset House is a fabulous 18th century house of  great beauty and size.  We had only an hour or so before we were to meet friends at the Wallace Collection, so I chose two or three paintings to enjoy in particular.  My first choice was Edouard Manet’s A BAR AT THE FOLIES-BERGERE which is one of my favorite images in any museum.

This great canvas was Manet’s last great work and is a masterpiece is space relationships:  mirrors, reflections, details.  It is exquisitely painted.  Let me point out a few of the details of this great painting.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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THE WALLACE COLLECTION AT MANCHESTER SQUARE

Filed under: antiques,Small Museums — tmooresr @ 11:29 am

We depart for Paris in the morning, so we thought we would have a bit of breakfast and a big bit of wandering through the Wallace Collection.  I have been to the Wallace Collection at least once a year for many, many years–at least thirty years.  Without hesitation, I have to say that the Wallace Collection on Manchester Square is my favorite collection for public view in all London.  The house contains the finest collection of 18th century decorative arts in Europe, including France.  The collection of Sevres porcelain has no equal.  A great deal of French Sevres was bought by King George IV for Windsor, but the Royal Collection falls short when compared to the Wallace Collection.  I have in my own collection a few pieces of 18th century Sevres which came from my own family, so I have been looking and occasionally touching a few pieces of the finest porcelain ever made in Europe:  Sevres.  Louis XV and Mme de Pompadour were passionate Sevres collectors;  in fact, they invested in the company and had every reason to promote this procelain factory.  The King would hold a great festival at Versailles and tables were covered with superb pieces of Sevres for his courtiers to purchase.  Good idea to be in the King’s good favor, and supporting his porcelain factory was a good way.

We have seen two Vaisseaux at the Metropolitan in New York before we left the States.  We saw one Vaisseau in the Royal Collection at Buckingham Palace.  We saw three Vaisseaux in the Rothschild Collection at Waddesdon this week.  Now we find two additional green Vaisseau in the Wallace Collection.  I know of one other:  a pink one in the Huntington Library, near my childhood in San Marino, California.  There must be one in the Russian Royal Collection in St. Petersburg, but I have never seen it.

The Wallace Collection has a fabulous collection of snuff boxes and miniatures including the famous miniature we all know of Oliver Cromwell.  This 18th century gold and jeweled box collection is really spectacular.  I suppose the Gilbert Collection at the Victoria and Albert is larger;  however, this collection is amazing.  Several were made for Frederick the Great of Prussia and are in Potsdam, but there are a few from this Prussian collection here in the Wallace Collection and also in the Gilbert Collection.    I believe there is one of Frederick the Great’s gilt boxes in the Royal Collection.

The Boucher paintings are amazing.  Room after room of these beautiful paintings.  But the painting which stands out for me is the Sully portrait of Queen Victoria, painted in the first year of her reign.  The story of the American artist’s portrait of the young Queen is amusing.  During the first years of the Queen reign, the palace was eager to have several new portraits of the young Queen because the public had never seen her as she grew up.  Sully was given an opportunity; and in the end, the Sully portrait was the Queen’s favorite portrait.  Fabulous.

The mirrors, chandeliers, ormolu, bureaux plats, exquisite chairs, on and on are spectacular.  For visitors to London who love the 18th century French decorative arts, the Wallace Collection on Manchester Square is the first place–out the door- when you arrive in London.  This collection is truly unequalled.

I have taken a few–no a lot–of photographs and I hope you will enjoy them.  I will include them in my text.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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April 2, 2011

FROGMORE HOUSE TO OPEN TO THE PUBLIC: 17 -19 May, 6 – 8 August

I have a funny story here!  Last summer, Stephanie, my friend Maureen Walker, and I went to Frogmore House the one day it is open to the public.  This is the one royal residence I had not visited, and I was dying to go.  Well, we took off on our day excursion–it was the most amazing, sunny day!  We stopped in Datchet and talked about the railroad’s history and its connections to Windsor Castle.  Then we arrived at Windsor Great Park where the sign posts directed us to the temporary public parking on the park lawns.  We wandered through the grounds, visited the mausoleums, and read the history of all the trees and lovely plantings by the lake.  When we walked inside, I noted that there was no photography allowed.  My conscience began to struggle with my desire to take pictures for my blog.  I felt like a criminal organizing a premeditated murder!  I knew I was going to take images with my quiet yet powerful camera.  My guilt must have been very visible on my face. In the end,  I knew I had captured the perfect images for my blog when a guide saw me take that last image as we left the house.  She approached me as if I had entered the Jewel House after hours!  I got the full lecture from the guide who gave me a wink and sent me on my way.  I did feel guilty, but not tooooo much.  It was a wonderful visit, and the house lived up to my expectations.  My recommendation is to visit Frogmore.  It is really an important house.  There, I have purged my conscience!

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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April 1, 2011

APSLEY HOUSE: NAPOLEON REMEMBERED

Filed under: Small Museums — tmooresr @ 8:23 am

I am writing a long article about Apsley House, but I wanted to post the humorous image of Canova’s Napoleon and Napoleon’s death mask which are kept in Apsley House, London.  I love this small museum and house so well guarded by British Heritage.  It is really splendid and tells such a story.  More later.  But enjoy these images. Wow

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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March 18, 2011

WHO CAN IDENTIFY THIS SCULPTURE? I found it for the first time in January

Filed under: Small Museums — tmooresr @ 11:17 am

This is a challenge.  I saw this sculpture for the first time in January–after all these years wandering London.  The color of the stone building is the same color as the stone robes of the friars.  That makes it hard to see.   Does anyone know where it is?  Good luck.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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March 5, 2011

APSLEY HOUSE RESTORATION COMPLETE

Filed under: Art and Sculpture,Small Museums — tmooresr @ 1:29 am

APSLEY HOUSE, the residence of the Duke of Wellington has undergone extensive restoration.  I am eager to post these photographs.  Remember, this is #1 London.

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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February 14, 2011

KENSINGTON PALACE: “Enchanted Kensington Palace” ENCHANTED?

Filed under: Art and Sculpture,Small Museums — tmooresr @ 12:32 pm

Is someone out of his mind?!  I have spent several days wondering how I would respond to the re-working of Kensington Palace.  I have never been so disappointed in all my years of wandering through historic houses as well as modern exhibition.  To create a world in the Palace that none of the royal residents that created the Palace would recognize is pointless.  Interpreting history for a modern audience is understandable, but changing the royal palace into a trade show or a wing of the Tate Modern is unfortunate and pathetic.  As I wandered through the rooms of this historic residence, I turned cold and then started to laugh to myself.  I wondered if it must be just me.  I then began to listen to those around me;  they forgot that they were in Kensington Palace.  The entire working of Kensington Palace should have been done in a modern warehouse where modern designers can paint foot prints on the floor, hang mobiles from the ceiling, pile beds with cushions and bedding, and add flashing lights and call it ENCHANTED.  But in Kensington Palace?  No, Director of Royal Palaces, IT DOES NOT WORK.    This is an insult to the visitors who come here and to their sense of history.

 

This reworking tells me the Palace is not drawing the audience the directors need to keep the Palace in the black.  Believe me, a 12 million pound grant has nothing to do with the word that is in fashion these days:  SUSTAINABILITY.   This is laughable and sad. 

This is a perfect example of a fad, something in vogue, and an effort to bring Disneyland to KENSINGTON PALACE.  No thank you, all you crazy designers.  Go down to the Tate Modern and stay there.  

It doesn’t work in this palace.  I will post some of your pictures and let over one million readers this month have their say.

Yikes.  Someone is laughing at us, and I don’t appreciate it.  Give us back the old palace.  Please!

Thomas Moore   email:  TMooreSr@me.com    Telephone:  801.791.9918

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